RT @hatarakudoll: 数々のパンを見送ってきたベテランパン pic.twitter.com/pAaE5ZVjo7
posted at 14:35:26
RT @lauraingalli: mood: medieval horse swag Padua, Biblioteca Civica, P.B.954 (Capodilista Codex) pic.twitter.com/lfyKkRMtjv
posted at 14:34:12
伊賀光季追討記事、流布本と慈光寺本の比較（その１） blog.goo.ne.jp/daikanjin/e/b2… #gooblog
posted at 13:36:31
RT @IichiroJingu: 桜井英治氏がどんなに権門体制論を罵倒しようと、権門体制論は不滅。何故なら「あまりに常識的で予定調和的としかいいようのないこの「理論」が、かくも強靭な生命力を保っている理由がどこにあるかといえば」、それは古文書・古記録に権門体制論が内在しているから。 blog.goo.ne.jp/daikanjin/e/e1…
posted at 11:34:57
RT @shirojiichan: 今日は東大名誉教授の村井章介先生、東大の桜井英治先生、明治大学の清水克行先生たちと甲賀の城跡を巡ってきました。国史跡の村雨城跡、寺前城跡、新宮城跡、新宮支城跡は草刈りされており大変見やすくなっていました。終われば1日で10ヶ所の城跡を巡っていました😃 pic.twitter.com/Wj76gQI2jo
posted at 11:34:24
RT @HatakamaK: 桜井英治「『応仁記』捏造説の収束に向けて」『歴史学研究』982。「より深刻な問題は、史料を全部提示せずに自説に都合のよい史料だけを選択的に提示するという手法である。これは明らかな印象操作であり、隠蔽といわれてもしかたがない。」(p.40)。耳が痛い。戒めたい。
posted at 11:34:03
RT @pvvbzROgo32zWXo: 『中世の罪と罰』が講談社学術文庫になったが、www.utp.or.jp/book/b299386.h… 文庫版解説で桜井英治氏が90年代に社会史ブーム過ぎた後の中世史を「中世を統合的な社会とみる権門体制論がふたたび台頭し」(290～291頁）と書くのをみて、日本ではポスト社会史に名前がついていないことを再確認した。
posted at 11:33:40
RT @chonkyanimalx: pic.twitter.com/HGJcgZE7rK
posted at 11:25:44
RT @nsakaty: 函館のローソンは烏賊とコラボしてるのね pic.twitter.com/8TllY8TcEa
posted at 11:20:02
RT @PP_Rubens: Waffles for lunch, & some beer. And a small mountain of butter! Fine menu selection from Georg Flegel, d. OTD 1638. pic.twitter.com/FDIub0Y1m8
posted at 10:09:12
RT @ukiyoeota: 猫に置き換えた「仮名手本忠臣蔵」の世界。高師直のご機嫌を取ろうと、加古川本蔵が賄賂の進物を贈る場面です。かつおぶしや結蛸、またたびなど猫が好きなものが並びます。太田記念美術館で4-5月開催「#江戸にゃんこ 浮世絵ネコづくし」後期（4/29～5/28）にて展示予定です。ukiyoe-ota-muse.jp/exhibition/nya… pic.twitter.com/dEthgkyfvo
posted at 09:41:28
RT @gregcatarino1: Inna Ruda, Ukrainian artist pic.twitter.com/PVNuMR3EQ8
posted at 09:31:48
RT @fzk06736: これ、重要なんですよね。中には「終末期古墳とは『古墳時代終末期』の古墳」と思っている人がいますが、違うんですよね。もともとの意味では、ここでおっしゃっている通り、「古墳時代が終わった後でもまだ造られていた古墳」のことなんですよね。終末期古墳の時代は「古墳時代」ではない。 twitter.com/mushokusan1/st…
posted at 09:12:31
RT @goshuinchou: 来ました。高知市宝永町の多賀神社入口にいる阿吽の口だけはある極限抽象化狛犬(らしきもの)です pic.twitter.com/4jIBqV2Hok
posted at 09:11:30
RT @emijinguji3009: 今日の一冊「古代ギリシア人の24時間 よみがえる栄光のアテネ」（フィリップ・マティザック著/高畠純夫氏 監修/安原和見氏 訳） pic.twitter.com/4WYuG2mftJ
posted at 09:08:22
RT @handmade230: ヌーとバー pic.twitter.com/x68n0UNx0u
posted at 09:08:01
RT @nhk_hokkaido: NHKの映像投稿サイトに 寄せられた映像から選ばれる #NHKスクープBOX 投稿映像大賞 地域賞に 柳楽航平さんが #別海町 で撮影した #流氷 と共に流される #シカ が選ばれました www3.nhk.or.jp/sapporo-news/2… pic.twitter.com/uDW2aujOal
posted at 09:07:21
RT @CathyRLowe: I've rotated the squirrel, and s/he looks just as bright the "right" way up! Perched happily on a oak branch, nibbling acorns. British Library, both the manuscript and the definition of line filler. Add MS 42130; 1325-1340. @Pericles494BC @rosie_rejoicing pic.twitter.com/pKWX9dAeBS
posted at 09:02:38
RT @CathyRLowe: #AnimalsInManuscripts In the Luttrell Psalter, this diminutive squirrel moves to the horizontal plane to fill in the line. A line filler is a decorative device (abstract, foliate, zoomorphic, or anthropomorphic) that fills the remainder of a line not fully occupied by script. pic.twitter.com/tcmUJTLEIy
posted at 09:02:17
RT @ArtHistAnimalia: RTing for #NationalPuppyDay twitter.com/arthistanimali…
posted at 09:00:14
RT @ArtHistAnimalia: For #NationalPuppyDay: #Netsuke of #Puppies at Play, #Japan, #Meiji period, late 19th century, ivory, H. 1 in. (2.5 cm) x W. 1 1/4 in. (3.2 cm) x D. 1 1/8 in. (2.9 cm). @metmuseum collection: www.metmuseum.org/art/collection… pic.twitter.com/gLVTkt7vVO
posted at 08:59:45
RT @met_asianart: Netsuke of Seated Tiger, Tail Resting on his Back; #metmuseum #themet www.metmuseum.org/art/collection… pic.twitter.com/TLnxKWbDTc
posted at 08:59:26
RT @ArysPan: But the location of Baia with its great natural port, the amazing Mediterranean clima and the popular thermal springs made the city one of the places you would dream to visit in the height of the Roman Empire. Countless villas of emperors and of wealthy citizens, hosted all sort pic.twitter.com/sCqN7yg9ee
posted at 08:58:16
RT @ArysPan: A statue is taken over by algae in the half submerged ancient Roman city of Baia in the bay of Naples. ©Antonio Busiello pic.twitter.com/BuvzSJfF5Y
posted at 08:57:56
RT @jdmccafferty: Arent van Bolten, Monster with its young, 1637 (British Museum) pic.twitter.com/27aAY02gx8
posted at 08:55:15
RT @jdmccafferty: St John the Baptist and & the Franciscan Dr. Heinrich von Werl of Cologne by Robert Campin, 1438 (Museo Nacional del Prado) pic.twitter.com/gy2RKSswuD
posted at 08:53:35
RT @ArtEthiopic: St Luke the Evangelist and a grumpy ox #luke #evangelist #ox #grumpy #mood #africanart pic.twitter.com/Tt88JQTNZo
posted at 08:51:12
RT @StJohnsOxLib: I wonder what this unusual key might have opened? From MS 253 pic.twitter.com/JJj1Eat0Df
posted at 08:50:36
RT @RealMargery: “My director of communications has informed me that no rules have been broken” pic.twitter.com/gjCaT6mHOf
posted at 08:49:11
RT @platos_fire: 🐙 octopus vase jewellery 🐙 inspired by minoan octopus pottery, reimagined in shimmering turquoise and mirrored gold acrylic ✨ → www.platosfire.co.uk/minoan-marine-… pic.twitter.com/Yy4gnic3uR
posted at 08:47:49
RT @chartres_Fiona: Resurrection scene in the 14thC wall paintings at St Mary's, Chalgrove. Christ sat on a rainbow at the top with Mary at his side baring her breast and people popping out of their graves below, looking like lots of Jack in the Boxes! #WednesdayWallPaintings pic.twitter.com/b9y3wAN6x7
posted at 08:47:04
RT @chartres_Fiona: 15thC swimming lessons.. Baptism scene in the Wygston's House glass at Newarke House museum. Unusual in that it was designed for a secular setting. Also a very strange baby with the face of an old man, just pointing it out before everyone else does. #StainedGlassSunday pic.twitter.com/E35ZM9EQXl
posted at 08:46:54
RT @chartres_Fiona: The ghostly 14thC St Michael still visible under the 15thC wall painting of the weighing of the souls at St James the Great, South Leigh. #WednesdayWallPaintings pic.twitter.com/nCKv6wh2iq
posted at 08:46:24
RT @ClarendonPalace: #OTD 1230, given at Clarendon. John of Monmouth, Warden, ordered to allow the prioress of Amesbury 3 oaks to make stalls for the nunnery, from where least harm will be done to the forest, by the king's gift. 📸www.stamfordsightsandsecretstours.com/virtual-tour-s… pic.twitter.com/dN86uQuEu2
posted at 08:45:09
RT @ClarendonPalace: 21 March 1223. The king to the cablish sellers of Clarendon Forest, greetings. We command you to deliver to John of Monmouth, warden of Clarendon Forest, the branches felled there by the wind. 📸gerrisayler.com/2013/05/06/med… pic.twitter.com/BmJfC7XD6T
posted at 08:44:57
RT @ClarendonPalace: 20 March 1311. Writ of aid, till Michaelmas, directed to all forest officers, for Gilbert de Clare, earl of Gloucester... who, in the next season is to take venison for the king’s use in the forests of Essex, Bernwood, Whittlewood & Clarendon. 📸themedievalhunt.com/2014/11/25/a-h… pic.twitter.com/QEGAhLvBR2
posted at 08:44:41
RT @BLMedieval: Yay 😉 Today our wonderful Medieval Manuscripts Blog received its 7.5 millionth view 🥳🎉🍾 blogs.bl.uk/digitisedmanus… We'd like to thank everyone who has read our blogposts over the years, all our contributors, our friends, families, and anyone who knows us. We love you all! pic.twitter.com/cBZ12ygSyU
posted at 08:44:10
RT @Peripheralpal: @MemesMedieval Titivillus at work again 😄 es.wikipedia.org/wiki/Titivillu… pic.twitter.com/LWTHdaTq0u
posted at 08:42:36
RT @BeineckeLibrary: Hours, use of Paris between 1450 and 1475 complete work digitized: bit.ly/3j7ipbq pic.twitter.com/12ceks4Iw2
posted at 08:41:58
RT @greenleejw: I'm feeling under the weather today, and am not really up to a thoughtful eel history tweet. So, instead, please enjoy this mermaid (?) doing what mermaids love to do most: taking their grumpy eels for walkies. pic.twitter.com/A6kl1T9kq1
posted at 08:41:05
RT @red_loeb: Initial 'V'(ocavit) at the beginning of Leviticus depicting Moses receiving the law with Aaron watching, and the people before the golden calf. BnF MS Latin 18; Leviticus cum glossa ordinaria; end of 12th-beginning of 13th century; f.2v @GallicaBnF pic.twitter.com/LIWePeOI4Y
posted at 08:40:15
RT @PiersatPenn: How he left the land With the emperor’s daughter Who was betrothed to the Greek, How they escaped from the country, By sewing themselves into bear skins, How the werewolf has served them And how he came back to his land, And how he brought his war to an end. #medievaltwitter pic.twitter.com/Uc0OVQg302
posted at 08:39:38
RT @melibeus1: No rules have been broken! @BLMedieval Royal 1 D I f. 199 pic.twitter.com/WGzStulQgE
posted at 08:38:49